Why can't an Early Access release get an Early Access review? The reviewer even makes it clear:
"While Crypt of the NecroDancer is a Steam Early Access title and is still under development, its core game mechanics and general idea are already very solid."
I know a lot of Early Access games aren't worth throwing money at, but then there are complete core experiences that grow, like Nuclear Throne. It's nice to know about them.
You did see TASM2 on the list when you watched the entire video, right? Notice anything that starts with an "s" other than Spider? Maybe sarcasm? Satire? Shenanigans? Those three are all pretty correct, so unless you played through TLOU Remastered and couldn't stand it, I'm not sure what you're getting at.
You know, no one's asked if the men were also fully-featured. Knowing that would really delve into the Ubi modelers' modus operandi regarding these supposedly unneeded features on the woman NPC models.
Not that anyone wants a naked Aiden on screen. Anyone but him.
There's only one thing the new Zelda needs: a heavy Dark Souls influence. I'm hoping that's what they're drawing from regarding the open world, but beyond that I think the combat should just be tougher - fair, meaning either the enemies have more power or you're limited to less health. None of this waggle crap, but a lot of quick decisions with timing.
In terms of entire groups of people who still work at brick-and-mortar chain stores, comparing who is the best seems like comparing Street Fighter: The Movie: The Game to Bubsy 3D. Even if you win, you lose.
"I went in to buy Metal Gear Solid 5: Ground Zeroes-" stop, please stop, that's your first problem.
He refused to buy MGS: GZ used because "I believe in supporting developers." Yes, throw more money at Konami for charging you for a demo. Such valiant! Many honor! Wow.
On principle, I agree. Pragmatically, though, with like 10 games releasing a Game of the Year Edition, nothing's that sacred. It's just meaningless talk, which is fun enough to do every so often.
Considering their success and what they've said in interviews, it will get there eventually. Until then, try it on PC! It certainly doesn't need a beastly rig.
You're the guy who watches a character-driven film and storms out of the theater while shouting "Well, that's no Citizen Kane!"
Knowing that Nuclear Throne will probably exit Early Access this year, and Wayward Souls and 1001 Spikes are already out, Shovel Knight is around my #5 or #6, somewhere near Dark Souls 2 for me. It certainly has the soundtrack of the year - Heck, of the last twenty-five years - Virt and Matsumae did an amazing job!
This is actually a very new funding model that Activision trusted Bungie with. Technically, sure, the budget was a half-billion dollars. But it's half a billion dedicated to the creation of a new engine, new systems, and a framework for a persistent, extensible world and franchise. Future "sequels" will be cheaper and heavily iterative if this succeeds, like giant expansion packs with a few new graphical polishes. It's the newest attempt at an MMO to topple WOW in market sha...
Meh. I think Sony met with Naughty Dog over their budget for the game (hint: you don't need as much staff on a remaster project unless you're rebuilding the whole thing), took a look at the market, took a look at how many PS4 accounts are from users with TLOU on PS3, and realized they'd make more revenue at $50 on a remastered great game. It's $10 less. That's not a bad thing.
Good Lord. The whole thing looks like a horrible eBay ad. "This is a very favorable price." Wow.
@Rainbowcookie:
"It’ll be developed and published by MOSS, that recently launched Raiden IV: Overkill for PS3 in Japan."
But you already read that...
Yeah, he's talking about the industry, not the PS4 by itself. If you have a decent PC, you know exactly what he's talking about - there are less giant, spectacular, "Let's also be Call of Duty" games coming out. In the meantime, Ken Levine, creator of Bioshock, is now in a very small team making totally-not-Bioshock smaller games. Harmonix just got funded to resurrect Amplitude instead of making another giant Rock Band. Medal of Honor? Nowhere to be seen.
The played-live, seconds-long ringtone of the Rocky theme in the film "Mad Hot Ballroom" cost the documentary producers a ton of money to the theme song copyright holders. The idea is that EMI owned the rights to the song, and people enjoyed something in the movie due to EMI's property, not as a criticism or parody of it - that would have deemed it "transformative" and therefore Fair Use.
It's a complicated thing - people make a ton of ad revenue j...
It's a good video if you watch it the whole way through. Whatever you think about Fez or Fish's quotes, the stuff on fame and the person as symbol or concept are things that aren't just in gaming - they're a huge part of why extreme partisan politics work the way they do.
So, you gave Threes a 5 then, right? Because Threes isn't just the original game 2048 cloned, it's a fundamentally better game... Highly recommended if you haven't played it yet!
And finally the WiiU makes sense. Why they didn't market it this way is beyond me! Also, yeah, Vita!
It's also a result of the old "exposure" theories no longer working on the Internet. Companies removed a portion of their monetary support for banner ads when they realized they didn't work. This is why Facebook had such a hard time getting a high Initial Public Offering valuation from investors, too.
Adblock mostly removes the crap that doesn't work. Subscriber models (that we see on Twitch or Giantbomb, a CBS affiliate which GREW while Gamespot sank) s...