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The best and worst of Kickstarter: an interview with Susan Wilson

4854d ago

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Marvel Heroes interview with David Brevik

4867d ago

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The computer that created a game for Christmas

4953d ago

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Rebuilding Baldur's Gate with Trent Oster

4960d ago

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The under-representation of woman in gaming

4964d ago

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How do you make Oddworld? Just Add Water

4974d ago

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Molyneux, Schmolyneux - Peter's final promise

4992d ago

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Tomb Raider interview with Crystal Dynamics' Brian Horton

5027d ago

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Codemasters talk GRID 2

5034d ago

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Hawken interview – it’s “pay-to-be-fabulous”

5058d ago

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Sexism in the gaming world

5079d ago

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Sonic & All Stars Racing Transformed interview

5098d ago

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Darksiders II interview - Vigil Games go bigger

5098d ago

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Borderlands 2 interview with Gearbox’s Steve Gibson [BeefJack]

5111d ago

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Peter Molyneux interview: “I’m not worthy of the rewards that I’ve got”

5161d ago

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Dead Space’s Ian Milham gets MindProbed

5162d ago

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Rhianna Pratchett gets MindProbed

5168d ago

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David Braben gets MindProbed

5176d ago

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Ghost Recon: Future Soldier interview - Why Ubisoft are trying something different

5185d ago

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Reset interview – creating a unique and atmospheric indie puzzler

5187d ago

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Rolling with the punches: An indie dev's struggle to be the best

5196d ago

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Suda 51 interview: On lollipops, girls and telling tales

5202d ago

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What do teachers really think about videogames?

5210d ago

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Mass Effect 3: the charity game – an interview with Full Paragon’s Anabel Martinez

5218d ago

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The art of sound: Silent Hill's composer talks audio in games

5224d ago

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DiRT Showdown interview: Codemasters on the move from rally to raucous

5231d ago

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End of Nations interview: "Free-to-play is why we can do this"

5246d ago

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