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The best and worst of Kickstarter: an interview with Susan Wilson

4854d ago

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Marvel Heroes interview with David Brevik

4868d ago

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The computer that created a game for Christmas

4954d ago

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Rebuilding Baldur's Gate with Trent Oster

4961d ago

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The under-representation of woman in gaming

4965d ago

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How do you make Oddworld? Just Add Water

4974d ago

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Molyneux, Schmolyneux - Peter's final promise

4993d ago

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Tomb Raider interview with Crystal Dynamics' Brian Horton

5028d ago

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Codemasters talk GRID 2

5035d ago

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Hawken interview – it’s “pay-to-be-fabulous”

5059d ago

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Sexism in the gaming world

5079d ago

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Sonic & All Stars Racing Transformed interview

5099d ago

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Darksiders II interview - Vigil Games go bigger

5099d ago

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Borderlands 2 interview with Gearbox’s Steve Gibson [BeefJack]

5112d ago

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Peter Molyneux interview: “I’m not worthy of the rewards that I’ve got”

5162d ago

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Dead Space’s Ian Milham gets MindProbed

5163d ago

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Rhianna Pratchett gets MindProbed

5169d ago

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David Braben gets MindProbed

5176d ago

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Ghost Recon: Future Soldier interview - Why Ubisoft are trying something different

5186d ago

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Reset interview – creating a unique and atmospheric indie puzzler

5188d ago

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Rolling with the punches: An indie dev's struggle to be the best

5197d ago

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Suda 51 interview: On lollipops, girls and telling tales

5202d ago

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What do teachers really think about videogames?

5211d ago

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Mass Effect 3: the charity game – an interview with Full Paragon’s Anabel Martinez

5219d ago

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The art of sound: Silent Hill's composer talks audio in games

5225d ago

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DiRT Showdown interview: Codemasters on the move from rally to raucous

5232d ago

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End of Nations interview: "Free-to-play is why we can do this"

5247d ago

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