
VGW: Lately, it seems, game music has taken another creative leap forward in the scores for indie games like Dear Esther (music by Jessica Curry) and now, Journey. In both of these critically-praised titles, the music functions not simply descriptively, but as a distinct character in its own right. The score is anything but evocative window dressing; it is integral to the game’s ultimate meaning and player experience.
Just having returned from this year’s GDC, Austin was gracious enough to answer a few questions about Journey and his work in videogame music.

Clair Obscur Expedition 33 has surprisingly been snubbed for the Grammys 2026 nominations, and nominee Austin Wintory has responded saying he is “sad at the lack of Expedition 33,” and that he “would happily trade places [because] That score is the definition of worthy”.
Expedition 33 is a top soundtrack. Universal acclaim. Does not compute.
I remember the last level of the game. There’s a part where the guitar just starts shredding, tapping and everything heh. I stopped everything and listened to it. Clipped it after. That’s just one example.
Indiana jones aghhhh 😂 jesus f christ. Sliksong and E33 have the best scores of the year and nothing else even comes close.

Towerborne is an upcoming cooperative/single player action RPG from Stoic Studios, with music by Austin Wintory.

Shaz from GL: "The way Journey evokes emotions through its narrative without using traditional storytelling methods is something no game has been able to replicate."