In the days of shooters and platformers, when games on consoles fired and leapt solely within the confines of 2D, a group of workers at the powerful company of Konami wanted to do something different. Not different in terms of genre but in way of design and execution.
Masato Maegawa wanted to start his own development company, and so - together with other Konami employees who were tired of passing off rehashes as sequels – quit in April 1992 and a couple months later formed the company known as Treasure.
Their goals were to make excellent games and to avoid making sequels unless they could improve the original formula enough that it should be worthy of being labeled as such. Unlike many companies who share that very same mindset, Treasure actually manages to consistently pull it off, all the while generally overrun by odd, quirky ideas that have no guarantee to sell.
It's important in life to maintain a broad palette when it comes to culture and the arts. Hideo Kojima agrees, as he continues to use video games like Death Stranding to introduce people to music and other elements they might not otherwise discover.
In an interview, SEGA Sound Team lead composer Tomoya Ohtani revealed that Sonic’s global music success didn’t come from chasing trends overseas.
I think this is how Japanese devs need to think. Catering to the west is a terrible idea. I personally, seek out Japanese developed games because they bring a unique experience to gaming. They just stand out more that way.
What do you mean when you say this is how they 'need to think'. I understand the idea of wanting to do them without worrying about Western sensibilities but I also think a Japanese dev can do whatever the hell they want. They don't have to 'think' the way some westerner in a forum says they have to think. You think you are giving someone a compliment but you are really being weird. Its not about who you are but what you do. Last year's GOTY was a western studio that made a JRPG. You didn't see any Japanese people claim that a studio in a Western company had to think a certain way. And yes, I do understand thats not what you were saying but I think we should always challenge our own viewpoints. Personally I have love the unique experiences that devs in Japan bring and I agree they don't need to cater to Western sensibilities. I only take issue with you saying how they need to think. Thats dangerous.
What he’s referring to is when a company like Atlus does a game and one of the characters per se ; call one of the other kids a retard , they shouldn’t have to censor the final product because of snowflakes all the way in America that are constantly ranting on twitter . None of these folks are real fans and only look for stuff to cry about . If you start pandering too much they end up taking more than a leg and an arm . Japanese humour is so funny but I hate when it’s censored because of “ western sensibilities “
Everyone understood the meaning behind the message but you. “I think” you need to go to the mirror, look yourself in the eyes call yourself an idiot sandwich.
The sonic music is iconic the mega drive games were some of the best on the system but i wouldn't say they were free of western influence especially since 3 was composed in part by Michael Jackson
But honestly most of the crush 40 soundtrack music lives in my head rent free
Uhhh that's a strange thing for him to say. Even in the interview he admits to listening to a lot of western music.
I think its strange that the topic of Western catering comes up with Sonic at all. Sometimes things just are what they are.
Mojang has partnered with Merlin Entertainments to build the world's first Minecraft theme park in the UK.
