Lips faces a conundrum that it never really overcomes. It's mechanically sound, and it's designed exceptionally well to cater to non-gamers, the plastic guitar crowd, and karaoke fans. It's a great party game in the sense that it never penalizes the player, and it offers rewards in droves -- theoretically, you could leave it on at a house party and accumulate hundreds of achievement points by the time the last guest leaves.
The problem is that the gameplay leaves a lot to be desired. The singing engine itself is par for the course, but the motion-sensing mic as noise-maker and the implementation of Star Stream are huge annoyances that hurt the experience more than they help, especially if you're a big fan of karaoke games. Although Lips tries to transcend karaoke games by doing something different, it's ultimately hobbled by a foundation of mediocrity.
The team from This Is My Joystick look at their guilty gaming pleasures.
Deus Ex: Invisible War,LEGO Games,Lips, Boogie Bunnies and Beat Down: Fists of Vengeance are a few that get a mention.
With music franchises such as Guitar Hero, Rock Band, and Lips continuously pumping out content it can be a little daunting just thinking about all the songs and devotion you need to pour into each music game. Erik Johnsen delves into the assortment of old and new music games/content and whether they warrant excitement and the hype.
i think the whole music simulation genre is slowing down in popularity
it was an amazing way to experience new&old music but now its not much more than greedy companies competing to get the next sequel out as fast as possible with little innovation
Fancy yourself as the as the new lead singer in timeless West End shows such as “Cats” or the “Phantom of the Opera”, wowing crowds and being a part of some of the greatest shows on earth?
