"Transistor doesn’t begin until you press a button or nudge the joystick. Because, like Bastion before it, Transistor wants to form a bond with you, the player. This connection ties into the game’s tone and developer Supergiant Games’ fascination with rhythm. You can feel main character Red’s pulse as she glides through a city square, darts through a combat encounter, and nervously swipes her hair in front of a vast cityscape. Supergiant, whether by the intimacy of its small team or simply the power of music, deftly orchestrates a medium to let you embody a virtual character. It’s disappointing then, that only in its strongest moments, Transistor feels uniquely whole."
Yagmur Sevinc from NoobFeed writes - Isn’t it such a blessing that the studio that gave us such great games like Hades and Bastion has also given us incredible soundtrack albums too? If you like these games, you might want to look at the five best songs that the indie studio Supergiant Games has given us.
Nevada Dru, from Bits & Pieces, goes through some of his favourite video game soundtracks.
WTMG's Leo Faria: "The WayTooManyGames staff lists their favorite non-horror games that scared them more than actual horror games released over the years."
