"Had big budget games kept to the true nature of horror, weaving the sorts of stories that are found in games we now call classics; such as the early Resident Evils, Silent Hill 2, and System Shock 2; Slender: TA may have been just another competent, though unremarkable, example of the genre. As it stands, however, the fact that it’s a struggling breed makes it an unusual experience for most gamers, and since it’s been executed so well, it stands as one of the great games to have come out of the current generation. And so, it raises the question: Will the “industry leading” publishers exhume the corpse of survival horror to breathe some new life into it, or will they leave it down there for the indies to feed on?" - Patrick Waring, Senior Editor at GameCloud.
Beware the Slender Man, as the VR port of Slender: The Arrival steps onto Meta Quest, PSVR 2 and PCVR headsets this Spring.
VGChartz's Lee Mehr: "Slender: The Arrival is a frustrating horror game in that it's easy to complement specific elements while disliking the core conceit. I may have found Slender's origins to be flawed from the start, yet I'm also left commending a full-fledged game rising out of creepy pasta threads. If nothing else, it's a sign of earnest appreciation from unexpected source material. But when I feel more legitimate tension from linear sections than repeated trial-and-error collecting bits – i.e. the series' main identity – I can't help but feel something is fundamentally lacking. The 10th Anniversary Update showcases Blue Isle's sedulous care in honoring the past, but it's nevertheless tainted by a game trying to pad out a one-trick pony."
Kind of a shame how quickly this game fell off after it's popularity. It even got a movie faster than any other horror game of the last decade. Still an interesting concept and design for the cryptid.
True. If there's one takeaway I'll consistently have for Slender Man, as a property, is its rise to prominence from humble origins. I think Amnesia: The Bunker would be a great foundation to look at for new ideas too. There's still hope for him to star in a stellar title, but Blue Isle (or another dev) has to look past this incongruent mishmash of templates.
Was it ever actually good was basically meme worthy from day 1 and resulted in some quick cash in attempts the whole concept felt like it was built off of a early 2000s forward to X number people or X will appear at night and kill you.
@Profchaos
Your thoughts on The Eight Pages (freeware game) seem closely aligned with me. Even at the beginning, I found the execution to be flawed. But what I'm arguing is I think someone *could* make a good Slender game. Amnesia: The Bunker can be a good place to look as to how it could be done were he the sole villain.
WTMG's Leo Faria: "This brand new 10th anniversary remake of Slender: The Arrival might be an impressive visual overhaul of what was once a cheap-looking horror game, but at its core, it’s still the same janky and frustrating walking simulator released ten years ago. It may be a cult hit in the horror gaming community, but I didn’t find it very scary, nor compelling. I will give Blue Isle Studios credit for showcasing what Unreal 5 can provide to smaller games and teams, but sadly, mechanic-wise, nothing else of importance has been added. If you haven’t liked Slender: The Arrival back then, I doubt this overhaul will convince you otherwise."
"It’s Just Underground"
thats where the dead go